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Madness's recording was reissued in 1992, and this time reached #6 in the UK chart. A slightly remixed version with a definite ending instead of the original fade-out, appeared on the 2002 compilation Our House: the Original Songs. In 2007, a remixed version of the Madness cover appeared in the German Edgar Wallace spoof movie Neues vom Wixxer, along with a new recording called "NW5".[7] As well as the remix to the song, a new video was filmed, including three members of the band (Suggs, Chas Smash and Dan Woodgate) along with members of the cast.

Jennifer Dugena of Philippine Entertainment Portal said Must Be.. Love was a recommended "perfect teen movie" and finished the review wrote , "Must Be Love is a rare film that is cute and light as much as it is serious and heavy, content-wise."[4]

42. Greater investment needs to be made in research aimed at understanding more fully the functioning of ecosystems and adequately analyzing the different variables associated with any significant modification of the environment. Because all creatures are connected, each must be cherished with love and respect, for all of us as living creatures are dependent on one another. Each area is responsible for the care of this family. This will require undertaking a careful inventory of the species which it hosts, with a view to developing programmes and strategies of protection with particular care for safeguarding species heading towards extinction.

83. The ultimate destiny of the universe is in the fullness of God, which has already been attained by the risen Christ, the measure of the maturity of all things.[53] Here we can add yet another argument for rejecting every tyrannical and irresponsible domination of human beings over other creatures. The ultimate purpose of other creatures is not to be found in us. Rather, all creatures are moving forward with us and through us towards a common point of arrival, which is God, in that transcendent fullness where the risen Christ embraces and illumines all things. Human beings, endowed with intelligence and love, and drawn by the fullness of Christ, are called to lead all creatures back to their Creator.

212. We must not think that these efforts are not going to change the world. They benefit society, often unbeknown to us, for they call forth a goodness which, albeit unseen, inevitably tends to spread. Furthermore, such actions can restore our sense of self-esteem; they can enable us to live more fully and to feel that life on earth is worthwhile.

242. At her side in the Holy Family of Nazareth, stands the figure of Saint Joseph. Through his work and generous presence, he cared for and defended Mary and Jesus, delivering them from the violence of the unjust by bringing them to Egypt. The Gospel presents Joseph as a just man, hard-working and strong. But he also shows great tenderness, which is not a mark of the weak but of those who are genuinely strong, fully aware of reality and ready to love and serve in humility. That is why he was proclaimed custodian of the universal Church. He too can teach us how to show care; he can inspire us to work with generosity and tenderness in protecting this world which God has entrusted to us.

Divorcée Diane Lane, a teacher going on eight months without a man, meets a divorced boat-maker through her personals ad on the internet; it's a tremulous courtship, hindered by her resistant attraction for the father of one of her students. Writer-director Gary David Goldberg, working from Claire Cook's novel, pitches this familiar material a bit high, and the whole scenario is rather unlikely. The boat-maker (a nicely restrained John Cusack) must have won the Lotto since he has never sold one of his handmade creations, and, except for a few early scenes at her school, Lane seems to be on a permanent vacation. However, it is escapist fare; one doesn't watch a popcorn-and-roses romantic comedy such as this looking for realism. The two stars share a dryly frazzled, witty repartee which is engaging, and Goldberg's old-fashioned comic timing works exceptionally well here. Although her role doesn't call for great modulation, Lane gamely plays up to the 'cute' writing and creates a fetching character. Her bustling, busy, family-friendly world looks so comfortable to live in, it is a little perplexing why she feels so alone. Set that aside--as well as the comic book finale--and there's a good movie here, one with a warm heart and put-downs (when they come) which are gentle and in tune with the overall playful spirit. *** from ****

It's a tale old as time, lonely people searching for love, burned before, but only a singe, not a char. Diane Lane and John Cusack are divorcees who just happen to find each other in the park after he's seen her picture on a singles website. It isn't sparky at first sight, but as these films always go, top billed actors end up together whether they want to or not. So what you end up with is a nice date film, or more recently (and crudely) referred to as a "chick flick". This is the type of film that brings in smiles, first (and possibly last) dates, and yet ends up forgotten by the end of the night. In the case of this one, it's at least responsibly mature, and fortunately, not obnoxious like newer versions of the same old story. Yes, it's filled with clichés, some pathetic, others amusing. It really scores mainly because of the likability of the leads, practically too likable to be believable. If this serves any purpose, it is to indicate why people remain single in this modern age, either just really creepy beyond belief, too neurotic or self centered to even want to lightly socialize with.Christopher Plummer is total sophistication and elegance as Lane's father, whom Lane accidentally sets up a singles date with. He's not as tough to match, finding late middle aged romance with the somewhat bohemian Stockard Channing. Funny that the older characters have a more youthful and welcoming presence than the younger characters. They add the fizz to the champagne that would have gone flat had the vintage not been aged.

The preschool teacher Sarah (Diane Lane) divorced from her beloved husband eight moths ago, but she is still very vulnerable and alone. Her family presses her to find a new Mr. Right, and her sister Carol (Elizabeth Perkins) puts her profile on the site PerfectMatch.com. She has blind dates with odd guys, but she particularly likes Jake (John Cusack), who divorced three months ago and still misses his former wife. Jake likes her too, but Sarah has one night stand with Bob (Dermot Mulroney), the father of one of her students, and Jake gives-up on her. Later Sarah finds that Jake is her perfect match.The beginning of "Must Love Dogs" is very funny and I particularly liked the sharp and ironic dialogs. In a certain moment, the story becomes absolutely silly, and the good character of Sarah is almost destroyed after her affair with Bob, when she freaks-out and has a ridiculous behavior with him. The conclusion is also awful, I expected much more of a John Cusack's movie, but putting the pros and the cons in a balance, it still entertains. My vote is six.Title (Brazil): "Procura-se um Amor Que Goste de Cachorros" ("Wanted a Love That Like Dogs")

Sonja: To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy, one must love or love to suffer or suffer from too much happiness. I hope you're getting this down.

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Johnson has said of writing the script he wanted it to be character based rather than focus on the mechanics of time-travel. He drew inspiration from movies such as The Terminator, 12 Monkeys, and Witness. One of the best screenplays to read if you love mixing sci-fi with ironic humor and time-travel.

This script was born purely out of budgetary restrictions as writers Whannell and Wan deliberately wanted to write a horror film as cheaply as possible. One that they could finance themselves. Inspired by low-budget movies such as Pi and The Blair Witch Project, they decided on the concept of two actors, one room, and one dead body. Easily one of the best screenplays to read for horror writers. 2b1af7f3a8